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            <name>Title</name>
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                <text>Women Gamblers in Wall Street</text>
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                <text>"One of Them"</text>
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                <text>Jan 1918</text>
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                <text>According to the House of Mirth, Lily used the stock market on Wall Street in order to pay for her debts, which generated from playing bridge. In the novel, it turns out that the money that she earned came from Trenor who came up with the idea of her owing him back or just hanging out with him. Since she is already interested in Percy, she chooses to owe him the money back. &#13;
&#13;
The source that I found has to do with women gambling in the stock market, which is similar to how Lily gambled while playing bridge. The creator is an anonymous name, hence the "One of Them". It actually mentions how playing bridge was a thing and how women have found a new game that involves investing in the stock market where they own a stock, which helps them gain ten or twenty dollars on every five invested when the market goes up ten or twenty points. It talks about how the economy had shifted downward because of the world war, which caused females to lose money. It then goes into detail on how there are crooked firms in Wall street who try to sell worthless stocks to women because they feel that they are not as calm and calculating than men. In short, this source really explains the horrors of gambling in the stock market, which can be used when reading about when Lily invested in the stock market.&#13;
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                <text>Zachary Marshall</text>
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            <name>Source*</name>
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                <text>By ONE, O. T. WOMEN GAMBLERS IN WALL STREET. (1918, 01). 101. Retrieved from American Periodicals on Proquest. Web. 8 Apr, 2015</text>
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            <name>Rights</name>
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                <text>Original documents is out of copyright. Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document.</text>
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            <name>Title</name>
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                <text>The Decoration of Houses</text>
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                <text>Edith Wharton</text>
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            <name>Date</name>
            <description>The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details)</description>
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                <text>1897</text>
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            <description>Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers)</description>
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                <text>This book is significant for The House of Mirth because it stresses how important architecture was in the late 19th and early 20th centuries. In this generation, house decoration became a branch of architecture. This is when the architecture of the room became its decoration, just like the houses in the House of Mirth. Wharton advocated the creation of houses with emphasized decorations on the ceilings and walls along with well-suited furniture. They also emphasize classical yet simple principles such as proportion and symmetry. </text>
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            <description>The name of the person who obtained, uploaded, and described the item.  Please use the same form of your name throughout the site.</description>
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                <text>Meredith Hill</text>
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            <name>Source*</name>
            <description>Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database).  See fields guide for details.</description>
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                <text>Wharton, Edith. "The Decoration of Houses." B. T. Batsford. 1897. Web. 08 Apr. 2015.</text>
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            <name>Rights</name>
            <description>Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide.</description>
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                <text>Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page.</text>
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      <name>Hyperlink</name>
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              <text>http://babel.hathitrust.org/cgi/imgsrv/image?id=uc2.ark:/13960/t59c6vp29;seq=7;width=340</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>Enter the title exactly as printed in the document or image.  If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets.  See fields guide for more information.</description>
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                <text>"Trip to the Sunny South"</text>
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            <name>Creator</name>
            <description>Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document.  If no author is specified there, see fields guide.</description>
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                <text>L.S.D</text>
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                <text>March 1885</text>
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                <text>This book published in 1885 shows the author's journey and his sight descriptions of a tour around the Mediterranean.  The author absolutely marvels at Monte Carlo's sight and setting and so calls his days there as "faultless".  He mentions the lively weather and scenery as well as the business that is found there. The author also mentions how most of the city's entertainment destinations are mostly restricted to foreign visitors, which gives insight to the kind of place Monte Carlo is as well as its purpose. The fact that he was mesmerized and captivated by Monte Carlo's city system shows that he underestimated it and that he also noticed how different it was in terms of  its charming yet wild atmosphere. This reflects most of the perceptions and thoughts of other visitors of Monte Carlo during this time period.</text>
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            <description>The name of the person who obtained, uploaded, and described the item.  Please use the same form of your name throughout the site.</description>
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                <text>Makeda Fekede</text>
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          <element elementId="48">
            <name>Source*</name>
            <description>Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database).  See fields guide for details.</description>
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                <text>L.S.D. ""Trip to the Sunny South"" Hathitrust. N.p., n.d. Web. 8 Apr. 2015.&#13;
&#13;
D., L. S. Trip to the Sunny South In March, 1885: Paris, Macon, Geneva, Mentone, San Remo, Monte Carlo, Monaco, Italy, Genoa, Turin, Leghorn, Pisa, Naples, Rome, Reggio, Sicily, Messina, Catania, Syracuse, Malta, Gibraltar. Birkenhead [Eng.]: Printed by E. Griffith, 1885.</text>
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            <name>Rights</name>
            <description>Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide.</description>
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              <elementText elementTextId="924">
                <text>Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page.</text>
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            <description>A language of the resource (optional)</description>
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                <text>English</text>
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            <name>Title</name>
            <description>Enter the title exactly as printed in the document or image.  If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets.  See fields guide for more information.</description>
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                <text>Albany and Rensselaer, N.Y., Directory </text>
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            <name>Creator</name>
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                <text>Sampson &amp; Murdock Company</text>
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            <description>The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details)</description>
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                <text>1878</text>
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            <description>Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers)</description>
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                <text>"The Gryces were from Albany, and but lately introduced to the metropolis, where the mother and son had come, after old Jefferson Gryce's death, to take possession of his house in Madison Avenue—an appalling house, all brown stone without and black walnut within, with the Gryce library in a fire-proof annex that looked like a mausoleum." This is just a description of the Gryce family house from the book. My primary source is a directory that was published in 1878, and it shows all the houses on Madison ave., Albany, NY. This is relevant because in the House of Mirth the Gryce Family residence was located on Madison avenue in Albany.</text>
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            <description>The name of the person who obtained, uploaded, and described the item.  Please use the same form of your name throughout the site.</description>
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                <text>Michael Monahan</text>
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            <name>Source*</name>
            <description>Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database).  See fields guide for details.</description>
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                <text>https://books.google.com/books?id=tR1EAQAAMAAJ&amp;amp;source=gbs_navlinks_s&amp;nbsp;</text>
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            <name>Publisher</name>
            <description>optional; make sure, however, that original and subsequent publishers are specified in the "source" field</description>
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                <text>Sampson, Davenport &amp; CO.</text>
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            <name>Rights</name>
            <description>Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide.</description>
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              <elementText elementTextId="1379">
                <text>Original document is out of copyright (it was published before 1923).  Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document.  For further information, please see the “about” page.  &#13;
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>Enter the title exactly as printed in the document or image.  If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets.  See fields guide for more information.</description>
            <elementTextContainer>
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                <text>THE GRAND CENTRAL STATION TERMINAL IMPROVEMENTS.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document.  If no author is specified there, see fields guide.</description>
            <elementTextContainer>
              <elementText elementTextId="966">
                <text>Scientific American</text>
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          </element>
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            <name>Date</name>
            <description>The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details)</description>
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                <text>Sep 16, 1905</text>
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          <element elementId="41">
            <name>Description</name>
            <description>Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers)</description>
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                <text>The Grand Central Station Terminal Improvements- the area is Grand Central Station and my article the vast construction that went on in 1905. Grand Central Station was a huge construction job they made a two-mile long tunnel. Also another big change would be that only passenger trains were able to access the station and that stone carts would no longer be able to access the station, which will increase the amount of passenger trains and the ability to increase more travel in and out of the station. This project was impressive with the amount of steel bars being used as well as the vast amounts of stone. This relates to the book because Lily got off at Grand Central station, in the book they described New York city as an ugly city but never mentioned Grand Central Station as being ugly. Lily’s opinion of the city though may have been directed towards the amount of construction that was going on in and around Grand Central Station.</text>
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            <name>Contributor</name>
            <description>The name of the person who obtained, uploaded, and described the item.  Please use the same form of your name throughout the site.</description>
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                <text>Nicholas Wade</text>
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            <name>Source*</name>
            <description>Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database).  See fields guide for details.</description>
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                <text>THE GRAND CENTRAL STATION TERMINAL IMPROVEMENTS. (1905, Sep 16). Scientific American (1845-1908), XCIII., 222. Retrieved from http://search.proquest.com/docview/126828368?accountid=14541</text>
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            <name>Rights</name>
            <description>Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide.</description>
            <elementTextContainer>
              <elementText elementTextId="971">
                <text>Original document is out of copyright (it was published before 1923).  Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document.  For further information, please see the “about” page</text>
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                <text>This item is from a monthly recreation magazine. It describes the wonders of the New York horse show. It describes the extravagant event that is extremely popular among the higher class society of New York. It compares it to the popularity of Wall Street among New Yorkers. It states one difference between the two is that the horse show comes every year and is always a success. It also explains why so many people are infatuated and excited to see the horses, getting a rush from their horse winning the blue ribbon. It also goes on to describe how the horse show works and all its details.</text>
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&#13;
Davis, Charles, and Edward Penfield. "The New York Horse Show." Monthly Magazine of Recreation. 1 Feb. 1903. American Periodicals. Web. 27 Mar. 2015.</text>
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            <name>Title</name>
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                <text>A Sketching of the Trinity Church after the fire. In the photograph, you see the church where the front is burnt down and there is rubble from where the church used to stand. There are two men standing in front of the church and the tombstones look scattered and one of the men is resting on one of the tombstones. The theme of death is present in this sketch both literally and metaphorically speaking. In literal terms, both Charlotte dies and the church that is surrounded by a graveyard filled with people who have passed. Metaphorically speaking, in the book the theme of death is seen as the ultimate fate for Charlotte. Her death was more of a punishment for her innocence and her being naïve. In the photograph, the theme of death is also present that the church, a place of sanctuary and comfort, burns to the ground. When the church has burned, the only things left exposed are the tombstones to expose the bodies, including Charlotte’s that lay there. </text>
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                <text>Lauren Samuel</text>
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            <name>Source*</name>
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                <text>"Charlotte Temple, a Tale of Truth." Google Books. University of Michigan, n.d. Web. 25 Feb. 2015.&#13;
&#13;
Rowson, Susanna. Charlotte Temple, A Tale of Truth. New York and London: Funk and Wagnalls, 1905. Print.</text>
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            <description>Enter the title exactly as printed in the document or image.  If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets.  See fields guide for more information.</description>
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            <name>Creator</name>
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                <text>This source is from one of Frank Leslie’s periodicals from July to December of 1890. Here he talks about “who was Charlotte Temple”. He goes in and breaks down what he talks about, specifically about the ruins of Trinity Church. He talks about visiting the grave of Charlotte Temple and how it affects the lives of many, even years after it was written. He further more goes and investigates where the actual grave of Charlotte could be.</text>
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                <text>Taylor Buffington</text>
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&#13;
"Frank Leslie's Popular Monthly." Google Books. N.p., n.d. Web. 25 Feb. 2015.</text>
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            <description>Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide.</description>
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              <elementText elementTextId="1002">
                <text>Original document is out of copyright (it was published before 1923).  Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document.  For further information, please see the “about” page.  </text>
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          <element elementId="38">
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Broadway St., New York</text>
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Gravestone of Charlotte Temple</text>
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              <text>http://media.proquest.com/media/pq/hnp/doc/762656262/fmt/ai/rep/NONE?hl=&amp;cit%3Aauth=&amp;cit%3Atitle=THE+HOUSING+CONDITIONS+IN+BOSTON.1%3A+POPULATION+AND+NUMBER+OF+...&amp;cit%3Apub=The+American+Architect+and+Building+News+%281876-1908%29&amp;cit%3Avol=79&amp;cit%3Aiss=1415&amp;cit%3Apg=43&amp;cit%3Adate=Feb+7%2C+1903&amp;ic=true&amp;cit%3Aprod=American+Periodicals&amp;_a=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%3D&amp;_s=kQucLUP%2FIvoa2HAYoiFTDHu2III%3D#statusbar=1&amp;zoom=110</text>
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            <description>Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document.  If no author is specified there, see fields guide.</description>
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                <text>Robert Treat Paine</text>
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            <description>Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers)</description>
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                <text>This article offers insight into the living conditions of middle class people living in Boston. The article gives a diagram of what a typical middle class house would look like structurally. The article also talks about the living conditions in respect to the population increase, as shown by the table offered in the article. This ties into The Lamplighter because many of its characters were living in this style house. Even though this article was written a couple decades after the book took place, one can assume that the improvements that the article describes are made because of the living conditions as described in The Lamplighter.</text>
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The American Architect and Building News (1876-1908); Feb 7, 1903; 79, 1415; American Periodicals&#13;
pg. 43&#13;
&#13;
“The Housing Conditions in Boston.” American Periodicals. 7 Feb. 1903. Web. 16 April. 2015.</text>
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            <name>Title</name>
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                <text>Rose Cecil O'Neill</text>
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                <text>The illustration by O’Neill is of an African American family living in Georgia. Some are trying and some are trying not to, watch Caucasian men heading into the woods with rifles and rope. The young man is pointing at the men in confusion while the mother is watching. The father however understands what is going on. In result he is trying to protect his young daughter from seeing the act they are about to commit. Judging by the rifles and rope they are going to lynch an African American.&#13;
&#13;
The connection of this item to the The Color Purple resides in the surroundings of the illustration. It is clear that the family is on a farm or at the very least a vast amount of land. Similar to what Celie’s real Pa owned in Georgia, which is where this illustration is set. Her real Pa owned his house, convenience store and assumably the land it is on. Far into the novel it is revealed that Celie’s real Pa was lynched for having a successful business; taking African American customers away from Caucasian business owners. In the 1900’s most African Americans owned farmland. Typically when Caucasians lynched they did it near the person’s land. It is not clear whether Celie’s real father or her stepfather farmed on the owned land but it is highly plausible that her real father was lynched on the land. More so if the home backed onto wooded land like depicted in the illustration. </text>
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                <text>O'Neill, Rose Cecil. In George/O'Neill Latham. 11 Apr. 1900. Lib. of Cong. Library of Congress. Web. 22 Apr. 2015. &lt;http://www.loc.gov/pictures/item/2010651250/&gt;. </text>
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