4 10 135 https://202s15.cesaunders.net/files/original/44608eb5f79b1f70ce79a6fdf8cc95f1.jpg 666421efd4f42cca147e112d7d6699a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. White Plains, Greene County, Georgia. The Methodist church Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Delano, Jack, photographer Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1941-10 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) This image gives us an idea of what churches in Georgia were like during the time of The Color Purple. However, the image seems to include a white majority, different from that of The Color Purple Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. cchan13 Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. Farm Security Administration - Office of War Information Photograph Collection (Library of Congress) http://www.loc.gov/item/fsa2000027905/PP/ Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document identified in the originating depository (see “source” field) as free of publication restrictions. For further information, please see the “about” page. https://202s15.cesaunders.net/files/original/256022f0d660c862986d52076a58d5bd.jpg 726ec867203115850585a7723d8ff970 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Forest Hills Cemetery Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Dr. Putnam Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) September 9th 1848 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) The article is an opinion piece written to a newspaper by Dr. Putnam. It is his frustrations regarding the burial practice done by Christians in a city atmosphere and how it is an abomination. Which leads to the significance of Forest Hills cemetery because it is away from the city, in very rural location. He discusses how it provides peace and tranquility for the dead so they can better resurrect to heaven. This relates to The Lamplighter because of the role of religion and spirituality is greatly significant to Gertude and her paid respects to the dead when she walks through the cemetery when in the suburbs of Boston Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Anne Graf Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. Putman, DR. "Forest Hills Cemetery." Massachusetts Ploughman and New England Journal of Agriculture [Roxbury] 9 Sept. 1848: 4. American Periodicals Series Online. Web. 23 Mar. 2015. Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page. Publisher optional; make sure, however, that original and subsequent publishers are specified in the "source" field Massachusetts Ploughman and New England Journal of Agriculture #Lamplighter #Dorchester #Cemetery https://202s15.cesaunders.net/files/original/17d3a6cd8e04f03f0c958247cb9ae9c0.png 60b9e62bd643ed4419bb8511341cb858 https://202s15.cesaunders.net/files/original/11d8ee6a68b80b71a81cb763bf90814b.png 25eb56a0209d790785951424cd4f8382 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. The Decoration of Houses Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Edith Wharton Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1897 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) This book is significant for The House of Mirth because it stresses how important architecture was in the late 19th and early 20th centuries. In this generation, house decoration became a branch of architecture. This is when the architecture of the room became its decoration, just like the houses in the House of Mirth. Wharton advocated the creation of houses with emphasized decorations on the ceilings and walls along with well-suited furniture. They also emphasize classical yet simple principles such as proportion and symmetry. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Meredith Hill Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. Wharton, Edith. "The Decoration of Houses." B. T. Batsford. 1897. Web. 08 Apr. 2015. Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page. Language A language of the resource (optional) English https://202s15.cesaunders.net/files/original/91a33a7252463abcdff7eb9371603557.jpg 40ce08de8408769eb896da34718b8ede Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Ludgate Hill, From Fleet Street Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Engraved by T. Barber T. H Shepherd Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1830-04-10 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) The engraving illustrates the day-to-day lifestyle of people in the 18th century. The image is intended to be of Ludgate Hill, which is situated in London. The document shows the busy streets of London, surrounded by tall buildings in the background. This image could help when considering life back in the 1800s and gives an idea of the time frame in which Charlotte Temple was written. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. cchan13 Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. T. H Shepherd , T. Barber, Ludgate Hill, From Fleet Street, Pinsbury Source London, April 10 1830 https://londonstreetviews.wordpress.com/category/15-fleet-street-division-1-nos-41-183/ Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page. https://202s15.cesaunders.net/files/original/7219cd4ca866ac4ab4ce823edcb73b78.jpg 76f73a74732f5dd51c82b91285aa74d4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 60 cm x 48 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Map of the Gold Regions of California Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Ensigns and Thayer Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1849 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) This is a map of the main gold regions in California during the gold rush. In the novel, Gertrude's dad speaks about the gold rush in a letter, including that there were many people involved that they were fighting for the riches and describing the struggle they had to go through in order to survive. This map also show how many different routes there were to get to California during this time and gives a description about the land. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Hailey Barchick Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. "Map of the Gold Regions of California." Ensigns & Thayer. Library of Congress. New York. 1849. Web. 23 March 2015. Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page. Publisher optional; make sure, however, that original and subsequent publishers are specified in the "source" field Ensigns & Thayer Type The nature or genre of the resource Image https://202s15.cesaunders.net/files/original/271d0c2c64507a922a6b73197779bb9a.jpg b4d9cfb7a6c727907a2c29be61e979b9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. A Ship of War, of the third Rate, With Rigging & at Anchor Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Ephraim Chambers Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1728 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) This is a detailed drawing of a British Naval ship of war common in the year of 1728. Ships like this were likely to have been used in fighting the Napoleonic Wars, the French Revolutionary War, and the American War of Independence. The typical naval battle held in these wars was known as line warfare and generally consisted of two lines of enemy ships that attempt to out maneuver one another in order best attack the opposing ship with their broadside cannons. The top half of this drawing depicts and identifies specific parts of the exterior of the ship with a focus on the rigging and hall. The ship’s broadside and inner hall is explored, in part, in the bottom half of the drawing. A ship of this sort would most likely be the type of vessel that the two navel officers, Charlotte and La Rue traveled on from Portsmouth, England to New York Harbor, America in Rowson’s Charlotte Temple. Though specific officer’s quarters are not categorized, this description can be of aid to the reader of the novel by clarifying the general surroundings the characters would be exposed to on their journey as well as the general size, shape and specific workings of the ship the characters would most likely be on. The drawing, overall, enables the reader to develop an impression of the atmosphere for Charlotte’s transatlantic journey and better put into context the authors description of her and other character’s movements throughout the ship. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Whitney Olson Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. Chambers, Ephraim. Cyclopedia, or, A Universal Dictionary of Arts and Sciences: Volume II. (first ed.) London. James and John Knapton. 1728. P. 2. Web. 18 Feb. 2015. Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page. Type The nature or genre of the resource Educational Drawing 1700's Ship Life War Ship https://202s15.cesaunders.net/files/original/18c2fcdef181bb9553ae7d36bfed004b.png f98974f0d93668c5571f360c53c53326 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Main street. Macon, Georgia Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Evans, Walker Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1936-03 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) This image is a picture of what Main Street in Macon Georgia would’ve looked like around the time of Color Purple. One of the places in the book where main street is mention is on Page. 192 Specifically it says "Remember the main street of town? I asked. Remember the hitching post in front of Finley's dry goods store? Remember how the store smelled like peanut shells. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Natalie Williams Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. Evans, Walker. “Main street. Macon, Georgia” Library of Congress. 1936. Web. 26 Apr. 2015. Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. (3) Original document identified in the originating depository (see “source” field) as free of publication restrictions. For further information, please see the “about” page. https://202s15.cesaunders.net/files/original/a1f7ca3a5522f6d784db721f33556532.png f70269339d6ec3b6a5848e4672af5a03 https://202s15.cesaunders.net/files/original/f8cc1c9bca58cbeb9ef80f7cf14a987e.png 6f0188a9d92a0c2c93360c99a2b2de84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Suburban Scenery Around Boston Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. F. Gleason Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1859 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) In the Lamplighter, Graham’s country house contained old-fashioned entrances on both sides with a sloped and shady lawn. From the novel, we know that the family was rich, which makes readers predict that the house was definitely nice considering that it had a library on the inside and a garden on the outside. The area in which the house stayed at included no woods, brooks, and pastureland, which meant that the area was very secluded. Now the source that I found contained a house that belonged to J.W. Edmands, which was a house located on Newton Centre where it is one of the finest houses near Boston. The house is placed on rising ground with trees and shrubs that make the land shady. As we know from the book, this same description is pretty similar to Graham’s house. This source shows what kind of houses were build at the time of when the book took place, which helps give better descriptions of what other things the house may have contained that the book doesn’t give. For instance, WM. F. Homer’s Residence was a house that was built in the shape of a square, which could have been a style of Graham’s house because we don’t know what specific style house he lived in. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Zachary Marshall Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. SUBURBAN SCENERY AROUND BOSTON. (1859, Sep 03). Ballou's Pictorial Drawing - Room Companion (1855-1859), 17, 152. Retrieved from http://search.proquest.com/docview/124035394?accountid=14541 Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page. Subject leave blank; use tags instead Boston, Suburban, Scenery, and House Boston House Scenery Suburban https://202s15.cesaunders.net/files/original/c9f0d0c761e6befeb5f214127344ad6d.pdf fc29677ff8b1530094e5272561ba0880 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Living in a Hovel Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Farmington Chronicle Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1896-11-26 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) The passage I picked reminds me of the hovel in Charlotte Temple. In the beginning, the author uses imagery to help the reader understand what the run down hovel looks like. I connected this to Charlotte Temple mainly because it includes a mother and a sick baby. But in the passage, the baby is the one that is sick and the mother is taking care of it. Whereas in Charlotte Temple, Charlotte was ill and then dies shortly after giving birth. I chose this because it includes two big factors in the hovel scene, a women and a baby. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Joudy Nadri Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. Living in a Hovel Chronicle, Farmington. Maine Farmer (1844-1900) 65.4 (Nov 26, 1896): 5. Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page Language A language of the resource (optional) English https://202s15.cesaunders.net/files/original/93c25586d6c207f79fd78a121037bd02.jpg 7df7d25e2180af8523eb69dc88409eea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Mabira Forest Rubber Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Financial Times Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1917-07-31 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) In the novel, The Color Purple, rubber plantations are a main concern for those living in Africa. The rubber plantations were a way for big businesses to make a lot of money, but this was at the expense of the villagers in Africa. In the novel, Nettie goes to Africa to do missionary work. This work is cut short, however, because a rubber plantation is being built right in the middle of the village, “The builders wanted the village site as headquarters for the rubber plantation. It is the only spot for miles that has a steady supply of fresh water” (Walker 226). The rubber plantation directly affects the lives of the Olinka. Now the villagers must move away from their village and struggle to rebuild. The article, “Mabira Forest Rubber,” also looks at the rubber plantations, but from the point of view of the business owner. The article states that rubber production was originally successful. This supports the fact that a rubber plantation was built in the tribe. Rubber plantations were becoming popular in Africa because of their money making potential. On the other hand, the article continues to discuss the fact that the rubber plantation mentioned is slipping in economic gain. This is important to note because the plantation destroyed villages when it was built, only to become a failure later on. This relates to the novel in that the planation built in the novel could also fail and the destruction of the Olinka tribe would be for nothing. The rubber plantations appear to be a force that cannot be stopped. The African villagers cannot standup for themselves and fight the rubber plantations. This is symbolic of how Celie feels everyday. She feels that there is an overpowering force so strong that she cannot fight it. The plantation overpowering the villagers’ display how Celie feels overpowered by the men in her life. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Kirsten Van Nortwick Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. "Mabira Forest Rubber." Financial Times [London, England] 31 July 1917: 2. The Financial Times Historical Archive, 1888-2010. Web. 26 Apr. 2015. Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page. Format The file format, physical medium, or dimensions of the resource (optional) Document