6 10 135 https://202s15.cesaunders.net/files/original/030105a0c0a68a156015a553d2df132a.pdf 4e7657f18152d4ca2401adcba73352d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. LETTER FROM ENGLAND Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1834-10-11 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) 1834-10-11 This article is about someone’s experiences with weather….. They felt like the weather was not extremely cold or severely hot after living in England for “two summers and a third winter.” She says that there was never any weather in England, which we call hot in America; and also, that there is no thunder and lighting. The writer compares the weather of New York and Pennsylvania to England’s which reminds me of how Charlotte Temple ended up in New York, the weather must have been a lot different by the sounds of it. The writer then talks about a little town called Ryde which is located directly across from Portsmouth and has a population of about 4000 people. She specifically talks about how Ryde’s “inclination towards the bosom of the beautiful field of water lying between the Isle and the Main, and towards the long line of surrounding and superior objects, is a rare a physical beauty.” In CT one of our words that occurred a lot in our readings was bosom and I thought it was interesting that it showed up in this piece of writing as well. Next it talks about an English Cottage “inclined towards the east” and it mentions that “almost twenty miles across the water, is Chichester Cathedral. I found this to be interesting because in Charlotte Temple her house that she lived in with her parents was referred to as a cottage. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Natalie Williams Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. “Letter From England.: Climate of England; its thundering and lighting.” American Periodicals. 11 Oct. 1834. Web. 22 Feb. 2015 Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page. https://202s15.cesaunders.net/files/original/25ef5c62820471d4f0e1018006227f94.jpg 3b9dfe2d14fae47a4a06ee2725d64e34 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document "The Grand Opera House is next to Booth’s in beauty. It is much larger than that theatre. But for its unfortunate location, nearly a mile from Broadway, it would be one of the most successful establishments in the city. The theatre is divided into two buildings, one fronting on the Eighth avenue and Twenty-third street, and containing the offices and entrances, and the theatre proper, which is in the rear of the former. The former building is a magnificent structure of white marble, in the Italian style of architecture. It fronts 113 feet on Eighth avenue, and 98 feet on Twenty-third street. It is adorned with statuary and carvings, and is far too handsome for the part of the city in which it is located. The greater portion of this p. 475building is taken up with the offices of the Erie Railway Company. The theatre proper is connected with the front building by means of a superb vestibule, into which open the doors of the auditorium. It is one of the most beautiful halls in America, and one of the pleasantest lounging places. The auditorium is finished in light blue, white, and gold, and when lighted up is magnificent. Every appointment and decoration is tasteful and beautiful, and there are many persons who consider it the finest interior in America. The stage is large and convenient, and the scenery good. The performances are passable. The house was built by Mr. Samuel N. Pike for an Opera House. It was not successful, and was sold by him to the late Colonel James Fisk, Jr., for $1,000,000, a slight advance upon its cost." Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Book Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Lights and Shadows of New York Life or, the Sights and Sensations of the Great City Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. James D. McCabe Jr. Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1872 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) This text gives background to the many locations of entertainment and sightseeing in late 18th century New York. In the segment reviewed, the author speaks about a large and expensive opera house and he gives background information about it, including its physical set up and its selling price. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Jjones53 Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. McCabe, James D. Lights and Shadows of New York Life Or, the Sights and Sensations of the Great City. N.p.: n.p., n.d. Web. 4 Apr. 2015. "The Project EBook, Lights and Shadows of New York Life, by James D. McCabe." Project Gutenberg. N.p., 27 Oct. 2006. Web. 08 Apr. 2015. Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page. Language A language of the resource (optional) English entertainment New York opera opera house https://202s15.cesaunders.net/files/original/c9f0d0c761e6befeb5f214127344ad6d.pdf fc29677ff8b1530094e5272561ba0880 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Living in a Hovel Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Farmington Chronicle Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1896-11-26 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) The passage I picked reminds me of the hovel in Charlotte Temple. In the beginning, the author uses imagery to help the reader understand what the run down hovel looks like. I connected this to Charlotte Temple mainly because it includes a mother and a sick baby. But in the passage, the baby is the one that is sick and the mother is taking care of it. Whereas in Charlotte Temple, Charlotte was ill and then dies shortly after giving birth. I chose this because it includes two big factors in the hovel scene, a women and a baby. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Joudy Nadri Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. Living in a Hovel Chronicle, Farmington. Maine Farmer (1844-1900) 65.4 (Nov 26, 1896): 5. Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page Language A language of the resource (optional) English https://202s15.cesaunders.net/files/original/e54ef9f88876ffafb9065a32ac180481.jpg 13d0cc93925e02bd344fb3798c159d16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Lodgings for the Poor [a look at the current living conditions of the poor] Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Boston Traveller Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1847-12-04 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) The newspaper article provides an interesting insight into the living conditions and perceived morality of the poor. In The Lamplighter, Nan Grant’s house resembles the description of the house and living conditions that exist within this article. The article describes the exterior of the house to be “miserable” and “beastly." This is similar to the description of Nan Grant’s house, “Upon the wooden door-step of a low roofed, dark, and unwholesome-looking house, sat a little girl, who was gazing up the street with much earnestness" (Cummins 1). Nan Grant’s house is described as sad and unwelcoming. It is cold and the conditions for the people living in the house are very pitiable. The article’s description of the houses supports the presence of Nan Grant’s house. Nan Grant’s house and the houses in the novel are small, uncomfortable, and sad. Furthermore, the description of the houses in the article sheds further light on Nan Grant’s house. The reader is able to connect Nan Grant’s house to Boston because the article provides a colorful explanation of the poor houses there. In addition, the article goes on to describe the people living inside the houses as having no “self-respect”, “honesty”, and “integrity." The description of the poor living in the houses in Boston provides support for the actions of Nan Grant and Gerty. Nan Grant and Gerty are both immoral and hurtful in their conduct. The article goes on to state that poverty causes the poor to become “vicious." This statement supports the actions of Nan Grant, “Nan was a Scotchwoman, no longer young, and with a temper which, never good, became worse as she grew older” (Cummins 9). Nan Grant is portrayed as angry and hurtful. She is almost like an animal waiting to strike. The article supports Nan Grant’s actions as being legitimate to poor people in that time period. Furthermore, Nan Grant’s history of poverty has caused her to become the person she is in the novel, “She had seen life’s roughest side, had always been a hard-working woman, and had the reputation of being very smart and a driver” (Cummins 9). The article provides further insight into Nan Grant’s attitude because it states that the constant turmoil and labor of the poor causes them to become harsh and immoral. This article provides support for the actions of Nan Grant. She is a product of the struggle of poverty, like others in Boston. The description of Nan Grant’s house is similar to other houses that belong to the poor in Boston. This provides further insight into the ability of Nan Grant’s character to be legitimate. The article supports the phenomena that the outside is a good judge of what is inside. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Kirsten Van Nortwick Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. Traveller, Boston. "Lodgings for the Poor." Harbinger, Devoted to Social and Political Progress (1845-1849) Dec 04 1847: 35. ProQuest. Web. 18 Mar. 2015 . Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page. Format The file format, physical medium, or dimensions of the resource (optional) Document https://202s15.cesaunders.net/files/original/91a33a7252463abcdff7eb9371603557.jpg 40ce08de8408769eb896da34718b8ede Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Ludgate Hill, From Fleet Street Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Engraved by T. Barber T. H Shepherd Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1830-04-10 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) The engraving illustrates the day-to-day lifestyle of people in the 18th century. The image is intended to be of Ludgate Hill, which is situated in London. The document shows the busy streets of London, surrounded by tall buildings in the background. This image could help when considering life back in the 1800s and gives an idea of the time frame in which Charlotte Temple was written. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. cchan13 Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. T. H Shepherd , T. Barber, Ludgate Hill, From Fleet Street, Pinsbury Source London, April 10 1830 https://londonstreetviews.wordpress.com/category/15-fleet-street-division-1-nos-41-183/ Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page. https://202s15.cesaunders.net/files/original/53812b00d9f6cc1378d747d3c3754d11.jpg d77c75566fb1ac03414ca035c945066a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. LURED TO RUIN AT MONTE CARLO Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. By Marconi Transatlantic Wireless Telegraph to The New,York Times Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) March 31 1912 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) It talks about the large amount of high stakes gambling that took place and the subsequent fall. Much like Lily's relationship with Ned during the trip to Monte Carlo was a huge gamble which caused her to the lose the social status she greatly desired and worked for. It mentions stories of women pawing their jewelery just to survive as well as how the business is begging to wain as people are less likely to take risks. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Gabrielle Issa Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. By Marconi Transatlantic Wireless Telegraph to The New,York Times. "LURED TO RUIN AT MONTE CARLO." New York Times (1857-1922) Mar 31 1912: 1. ProQuest. web. 7 Apr. 2015 . Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. Monte Carlo https://202s15.cesaunders.net/files/original/440ec8c7cc9d333f6378342f793b710d.PNG c39ced6918a2e00a40b02435bb513d50 https://202s15.cesaunders.net/files/original/b5ff90e651577353d35763e3b99102ac.PNG c39ced6918a2e00a40b02435bb513d50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Lycidas Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. John Milton Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1637 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) In the poem, written as eulogy for a friend who was a sailor. In the poem, Poseidon blames not his ocean but the faulty human tools that failed to navigate it: “It was that fatal and perfidious Bark⁄ Built in th’eclipse, and rigg’d with curses dark,⁄ That sunk so low that sacred head of thine’ (100–2). Steve Mentz states in his paper Toward a Blue Culture Studies: The emphasis here is on the ship as hubristic technology, its rigging no match for the alien world of the sea. The oceans thus figure the boundaries of human transgression; they function symbolically as places in the world into which mortal bodies cannot safely go. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Brooke Angel Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. Lycidas. Milton, John. 1631. Retrieved from https://www.dartmouth.edu/~milton/reading_room/lycidas/text.shtml Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page. Type The nature or genre of the resource Poem https://202s15.cesaunders.net/files/original/93c25586d6c207f79fd78a121037bd02.jpg 7df7d25e2180af8523eb69dc88409eea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Mabira Forest Rubber Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Financial Times Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1917-07-31 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) In the novel, The Color Purple, rubber plantations are a main concern for those living in Africa. The rubber plantations were a way for big businesses to make a lot of money, but this was at the expense of the villagers in Africa. In the novel, Nettie goes to Africa to do missionary work. This work is cut short, however, because a rubber plantation is being built right in the middle of the village, “The builders wanted the village site as headquarters for the rubber plantation. It is the only spot for miles that has a steady supply of fresh water” (Walker 226). The rubber plantation directly affects the lives of the Olinka. Now the villagers must move away from their village and struggle to rebuild. The article, “Mabira Forest Rubber,” also looks at the rubber plantations, but from the point of view of the business owner. The article states that rubber production was originally successful. This supports the fact that a rubber plantation was built in the tribe. Rubber plantations were becoming popular in Africa because of their money making potential. On the other hand, the article continues to discuss the fact that the rubber plantation mentioned is slipping in economic gain. This is important to note because the plantation destroyed villages when it was built, only to become a failure later on. This relates to the novel in that the planation built in the novel could also fail and the destruction of the Olinka tribe would be for nothing. The rubber plantations appear to be a force that cannot be stopped. The African villagers cannot standup for themselves and fight the rubber plantations. This is symbolic of how Celie feels everyday. She feels that there is an overpowering force so strong that she cannot fight it. The plantation overpowering the villagers’ display how Celie feels overpowered by the men in her life. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Kirsten Van Nortwick Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. "Mabira Forest Rubber." Financial Times [London, England] 31 July 1917: 2. The Financial Times Historical Archive, 1888-2010. Web. 26 Apr. 2015. Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page. Format The file format, physical medium, or dimensions of the resource (optional) Document https://202s15.cesaunders.net/files/original/18c2fcdef181bb9553ae7d36bfed004b.png f98974f0d93668c5571f360c53c53326 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Main street. Macon, Georgia Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Evans, Walker Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1936-03 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) This image is a picture of what Main Street in Macon Georgia would’ve looked like around the time of Color Purple. One of the places in the book where main street is mention is on Page. 192 Specifically it says "Remember the main street of town? I asked. Remember the hitching post in front of Finley's dry goods store? Remember how the store smelled like peanut shells. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Natalie Williams Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. Evans, Walker. “Main street. Macon, Georgia” Library of Congress. 1936. Web. 26 Apr. 2015. Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. (3) Original document identified in the originating depository (see “source” field) as free of publication restrictions. For further information, please see the “about” page. https://202s15.cesaunders.net/files/original/7219cd4ca866ac4ab4ce823edcb73b78.jpg 76f73a74732f5dd51c82b91285aa74d4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 60 cm x 48 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Enter the title exactly as printed in the document or image. If there is no title, provide a brief descriptive title enclosed in square brackets. If the item is an excerpt, follow the title with "excerpt" in square brackets. See fields guide for more information. Map of the Gold Regions of California Creator Enter the name of the author or other creator of the document or image exactly as (s)he is identified in the document. If no author is specified there, see fields guide. Ensigns and Thayer Date The date the document or image was originally published or created, in YYYY-MM-DD format (see fields guide for further details) 1849 Description Describe key features of the primary source and how they help to answer the research question at hand (usually the significance of a space or place to a text and/or its author or readers) This is a map of the main gold regions in California during the gold rush. In the novel, Gertrude's dad speaks about the gold rush in a letter, including that there were many people involved that they were fighting for the riches and describing the struggle they had to go through in order to survive. This map also show how many different routes there were to get to California during this time and gives a description about the land. Contributor The name of the person who obtained, uploaded, and described the item. Please use the same form of your name throughout the site. Hailey Barchick Source* Provide an MLA-style "works cited" entry specifying details of both the original publication or distribution of the document, and where you found it (e.g. a library database). See fields guide for details. "Map of the Gold Regions of California." Ensigns & Thayer. Library of Congress. New York. 1849. Web. 23 March 2015. Rights Please copy and paste the most appropriate of the three boilerplate statements provided in the fields guide. Original document is out of copyright (it was published before 1923). Every effort has been made to comply with the provisions of any licensing agreements associated with digitization of the original document. For further information, please see the “about” page. Publisher optional; make sure, however, that original and subsequent publishers are specified in the "source" field Ensigns & Thayer Type The nature or genre of the resource Image